Dear HA creator

Feb. 27th, 2026 04:46 pm
trobadora: (boom!Sheppard by cutiepie89)
[personal profile] trobadora
Dear [community profile] highadrenalineexchange writer,

thank you so much for writing a story for me! I've requested and received most of these fandoms before - some for many, many years, and often with the same prompts, because when I really enjoy something, I immediately want fifty more takes on the same thing. *g* So if that's what we matched on, don't worry about repeating things! I'll be absolutely thrilled about anything you can create about the relationships I requested.

Everything important is in the requests themselves, but if you'd like even more info, general likes etc., here you go.

My AO3 account is [archiveofourown.org profile] Trobadora, and it's set to welcome treats.

General Preferences

Likes & Dislikes/DNWs )

Fandoms and relationships

In somewhat alphabetical order - note that some sections are expanded compared to the sign-up form:

Jump directly to:Christabel/Grimm crossover: Christabel & Geraldine & Grimm Worldbuilding )

绅探 | Detective L: Huo Wensi/Luo Fei, )

Grimm: Nick/Renard/Juliette )

镇魂 | Guardian (TV): Ya Qing/Zhu Hong, Shen Wei & Ya Qing )

Grimm/Guardian crossovers: Nick Burkhardt & Sean Renard & Shen Wei & Zhao Yunlan, Sean Renard & Shen Wei & Zhao Yunlan, Juliette Silverton & Shen Wei & Zhao Yunlan, Juliette Silverton & Shen Wei, Sean Renard & Shen Wei, Sean Renard & Ya Qing, Sean Renard/Ya Qing )

Nantucket Trilogy - S.M. Stirling: Kashtiliash & Raupasha )

长公主在上 | Eldest Princess On Top: Li Yunzhen/Gu Xuanqing )

Crafts - February 2026

Feb. 27th, 2026 03:19 pm
smallhobbit: (Morris cross stitch)
[personal profile] smallhobbit
Plenty more stitching this month:

Snowdrop Day

Feb. 27th, 2026 02:29 pm
bookscorpion: This is Chelifer cancroides, a book scorpion. Not a real scorpion, but an arachnid called a pseudoscorpion for obvious reasons. (Default)
[personal profile] bookscorpion posting in [community profile] common_nature


I went to the cemetery today and it was the first warm day of spring - even the wind was warm, and all the birds were going absolutely nuts, they were so loud. The snowdrops are in full bloom everywhere and they look so incredibly lovely against the leaf litter.


Read more... )

Sunshine!

Feb. 27th, 2026 03:36 pm

Glorious Exploits by Ferdia Lennon

Feb. 27th, 2026 09:06 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


The Sicilian debacle leaves Syracuse with seven thousand Athenian prisoners slowly starving in a quarry. What better time to stage a play?

Glorious Exploits by Ferdia Lennon
calimac: (Haydn)
[personal profile] calimac
The problem with Mozart's Requiem is that he didn't live to finish it (ironically, since it's a requiem), and the substitute composers drafted in to complete the commission were not, frankly, very good. As a result a complete performance trails off awkwardly in the last few movements.

Various ideas have been tried to rescue the work from this problem. Today we had Manfred Honeck, music director from Pittsburgh, in to conduct his version. His plan is simply to cut out the parts Mozart had nothing to do with, and beef up the work by inserting other material. Sticking Ave Verum Corpus, a brief motet Mozart had written not much earlier, at the end was the conventional part of the plan; I've heard that done before, and it's a fine motet, so that works well. Also stuck in here, mostly as prelude but some as interludes, were other appropriate Mozart pieces, a movement from a Vespers and the Masonic Funeral Music, some Gregorian chants sung offstage by an almost inaudible male chorus, and some spoken readings, including the bit from Revelations about the Dies Irae, instantly followed by the music plunging into that movement of the Requiem.

The intent was to frame the work as a memorial for Mozart himself (highlighted by one of the readings being his letter to his dying father on the consolations of death), which was abruptly turned into a memorial for Joshua Robison, former SFS music director Michael Tilson Thomas's husband, who died last week. What it meant musically is that this was a very heavy, almost dragging, performance especially of the slow portions. I didn't find it very compelling artistically. That's a pity, because the performers (at least the ones onstage) were excellent, notably the Symphony Chorus which was as strong and rich as it's always been since Jenny Wong took over direction, and the soloists who don't get a lot, but of the four of them, all vivid with fine voices, the great Sasha Cooke stood out most.

Also on the program (the rebuilt Requiem took about an hour), works by Mozart's fellow Vienna classicists: Haydn's lively and quirky Symphony No. 93, and Beethoven's imposing Coriolan Overture, both more effectively put across than the main event.

Varvara Bubnova (1886-1983)

Feb. 27th, 2026 09:27 pm
nnozomi: (pic#16721026)
[personal profile] nnozomi posting in [community profile] senzenwomen
Varvara Bubnova was born in 1886 in St. Petersburg, where her father was a bank clerk. Her mother believed that the only way for women to express their ability was through the arts, and taught her three daughters languages, music, and painting. Marya, the oldest, and Anna, the youngest, were both musically gifted, but middle daughter Varvara’s skills ran to the visual arts; at twenty-one she entered the prestigious St. Petersburg Academy of Arts as a painter in oils. There (along with artists including Mayakovsky, Natalia Goncharova, and Kazimir Malevich) she met the painter Voldemārs Matvejs, a Latvian who was studying African art; they spent their summers traveling Europe, visiting museums of art and ethnology and discovering local folklore. In 1914, just after their engagement, Matvejs died; not long after, Varvara’s father followed him.

In response, Varvara buried herself in her work. In 1917, as the Russian Revolution broke out, her sister Anna fled to Japan with her Japanese husband Ono Shun’ichi. Varvara chose to move to Moscow and continue Matvejs’ work, learning lithography and working among others with Kandinsky, Lyubov Popova, and Rodchenko. She published a book on African art in Europe in 1919, under Matvejs’ name.

In 1922, she and her mother made the six-month trip to Japan in order to see Anna and her family. She enjoyed the new landscapes and unfamiliar customs, but found the art world unsatisfying (“they have inherited nothing from the past and have not yet formed anything modern,” she wrote to a friend), although she was fascinated by traditional Japanese painting. Varvara’s own work at first failed to find an audience when it was exhibited. After publishing an essay on Russian art in one of the leading literary journals, she was invited to join an exhibition held by the young avant-garde, who adopted her as one of them. Some theories suggest that her name was the V in MAVO, the name given by the playwright and artist Murayama Tomoyoshi to his journal in 1924.

For an independent income (so as not to be a drag on her sister’s household forever), Varvara took a post as lecturer in Russian at Waseda University and later at the Tokyo University of Foreign Studies, where many of her students later became well-known translators and scholars (at least one, Yonekawa Masao, admired her intelligence and erudition so much as to write that he would have proposed to her if he hadn’t already had a family). In 1927 she married Vladimir Golovshchikov, who was over a decade younger than she (and seems to have no historical existence except as her husband, I’m not even sure I’ve transcribed his name right). She continued to exhibit her lithographs and to discuss art with her colleagues, such as the left-wing satirical cartoonist Yanase Masamu, who shared her admiration for the painter Käthe Kollwitz. Her first solo exhibition was held in 1932, focusing on depictions of laborers such as farmers, fishers, ex-servicemen, and ama divers. The artist Onchi Koshiro, a longtime friend, wrote that her work was “full of extremely realistic detail, cleaving closely to everyday life and yet holding a sense of mystery of a sort.” She went on to provide illustrations for the translations from Russian published by her students, and acted as interpreter for the visionary German architect Bruno Taut when he visited Japan.

During the war, her nationality made her suspect and she was constantly under surveillance, but her friends and students stayed by her. Her mother died in 1940 and her husband in 1946. She continued to ride the tram to her work at the university and teach her students to read Pushkin, a distant relative on her mother’s side. In 1958 she returned to the Soviet Union, where she held several solo exhibitions, settling in Sukhumi (modern-day Abkhazia/Georgia) on the Black Sea along with her older sister Marya. She died in 1983 at the age of ninety-six.

Sources
Mori 2008
https://jp.rbth.com/arts/82711-bubnova-shimai
https://note.com/bunkertokyo/n/nb7d17d92dedd (Japanese) Articles illustrated with Varvara’s works
beanside: Alastor from Hazbin Hotel (Alastor)
[personal profile] beanside
Good morning and happy Friday! We made it through the week! (Almost, I still have work tomorrow morning.).

I'm trying to wake up this morning and it's not easy. A large chunk of me wants to just go lay down and go back to sleep. Mind you, if I tried, I'd not sleep, I'd just be an anxious panda until I gave up and got back up, so I'll just skip that.

Yesterday, work was bugfuck. Not with calls, but it seemed like the big boss, Peg, was on a tear. A, the radiology call center manager and J, who is the assistant manager were both fried. J was ready to lose his shit at her. As is ever usual, the shit flowed down to their favorite underpaid Fixer.

Early in the day, I made a mistake. I didn't know it was a mistake, because no one told us that the site didn't want same day cardiac appts filled in. It would have been great to tell me, since that's literally a good chunk of my job. Of course, in the meantime, once I had scheduled them, I backfilled their slot, so I had nowhere to move them back to. Desperate, I reached out to Columbia to see if they'd be willing to do it. My tech there looked at the paper and said the way it was written, he wasn't sure what she actually wanted, because the diagnosis didn't match a cardiac MRI. And Cardiac protcol wouldn't get the body part she asked us to look at, nor was it the tumor protocol she seemed to be asking for.

I called the providers office to get clarification, and explained that they'd need to be two seperate orders. One for the tumor, and one for the cardiac, and that the cardiac needed a different diagnosis, one cardiac-related.

Two hours later the provider called me back to ask further questions. Fortunately, they were ones I could answer, but I was left with this overwhelming feeling of "you should not need a lowly scheduler to tell you this." Now I'm just waiting for the new orders to come over because, surprise, they didn't need a cardiac mri at all.

Later, I got a ping from A saying, "I need you to do some detective work. This person was told that they couldn't come to White Marsh for their CT. Can you find out why, Peg is pissed." I open the chart, and think that the pt's name is familiar. And I do a little research. And I have an email from about a week and a half ago, asking me to move the pt's appt from White Marsh down to the main hospital, because they have a anaphylactic reaction to CT contrast. It's also in the chart that he has the allergy. But Peg was just fussing to fuss without any research. And poor A was besiged and didn't have time to do any research, she just punted to me, so I could go "Hey, wait." Hopefully Peg settled down a bit after that, but I doubt it.

I think I ended up taking 17 calls, because I was constantly following up on shit Peg needed, and filling in some cardiac slots that they actually wanted filled. I've got three more to fill in, today, so I won't be taking many calls then, either.

After work, we had bratwurst and old bay sausage. I just had bratwurst, because the old bay is spicy. That's okay, because I really like Aldi's Beer bratwurst with sauerkraut. I don't even bother putting it on a roll, I just slice it into rounds and east it with a fork. It was excellent.

Then we walked the dog, and came back and I, being a little overstimulated, went to the bedroom. Jess came in a little later and gave me their arm to lay my head on, and I conked out. Slept until they woke me to get my pills, and then I slept more. Probably not surprising that I'm a little bit woofled this morning.

I'm curious what today is going to bring. Will it be another crazy day, or will it be reasonable?

After work, we have Frostmaiden, which I had apparently already prepped most of. I had to import a few characters to the game, but that only took a few minutes. I hope the day is a little calmer so that I don't sail into the game exhausted and overstimulated. We'll see what happens. I think A had her weekly meeting with Peg yesterday afternoon, so I'm sure that was fun.

Tomorrow, I shall work, then lunch. I have so many things on Izakaya 68's menu that I want to eat. Do I want ramen or little skewers of meat or sushi? It's a difficult decision.

On Sunday, the local park near us is doing a pancake breakfast with their home made maple syrup, so I might do that and buy some maple candy while I'm at it. I'm a sucker for maple. We don't really need more syrup, but I'll probably be weak. Then, we have Arvandor. It's a two game weekend with two of my favorite games, so I'm happy.

Then, my sister will be off to NYC for work, and we'll be manning the fort alone. I'm both looking forward to the quiet, and annoyed that I won't be able to snuggle Jess for 5 whole nights. Instead I'll be sharing the bed with a farting bedhog of a dog.

We're taking him to the vet on Tuesday. His allergies are acting up, so it's time for his Cytopoint shot and maybe some antibiotics if they think he needs them.

Okay, time for me to go forth and get myself together for work. Everyone have a most excellent Friday!

Assignments Out!

Feb. 27th, 2026 05:33 am
slashmarks: (Leo)
[personal profile] slashmarks posting in [community profile] goreswap
Assignments are out! Have fun creating, everyone!

Assignments are due April 12th, at 11:59 PM EDT. They must be at least 500 words or a nice sketch on unlined paper, with significant gore content, and respect your recipient's reasonable DNWs. Remember to stay anonymous until creators are revealed on May 1st! Do not contact your recipient directly. If you need to ask a clarifying question, or have any other problems, please contact me at shimmeringwords@gmail.com, and I will pass the question on anonymously or otherwise assist you.
rionaleonhart: death note: light's kind of embarrassed that he poured all that fake sincerity into an obviously doomed ploy. (guess not)
[personal profile] rionaleonhart
Death Note: The Musical is coming to London this summer, which is pretty exciting news if you're me!

'Wow, is Riona posting an entry about something that's not The Goes Wrong Show?' - bad news, I'm afraid.

Tem: Are you looking forward to seeing your boy Light Yagami?
Rei: Played by Robert Grove.
Riona: That would be a bold casting decision, but I'd watch it.
Tem: Death Note Goes Wrong. Their 'prop Death Note' is an actual Death Note. They need to write in it during the show, so they just use the names of the people who bought tickets. At the end, they're going 'wow, this was our most successful performance ever, can't wait for the applause,' and the lights go up to reveal the entire audience dead, with Ryuk sitting in the front row and applauding.
Rei: They consider writing Jonathan's name in the Death Note, because it's the only way he'll be included in the play, but they decide against it because he's not part of the audience. That's the only reason he survives.
Riona: Or they write his name in the Death Note, but he survives because they misspell it.

Robert Grove also cannot be entrusted with a Death Note if he knows it's real, of course. If Robert sees an opportunity to secure the role he desires, he will take that opportunity immediately and think about it later, if at all.

Basically, Robert has no particular desire for anyone's death, but he will one hundred percent kill people if it's a straightforward way to get what he wants. I give it a week before he kills Chris in order to get the lead role and then goes '...hmm, I might regret that later.'

Dennis might actually be the safest member of the Cornley Drama Society to entrust with a Death Note. He wouldn't use it with the intention of killing anyone. He would almost certainly forget it kills people and start using it like a normal notebook, which is risky, but if he writes anyone's name he's probably going to misspell it.

Aaaaand then Robert would wrestle the notebook off him and use it to kill Chris so he can have the lead. Let's just not give the Cornley Drama Society a Death Note at all.

New Worlds: Civil Strife

Feb. 27th, 2026 09:04 am
swan_tower: (Default)
[personal profile] swan_tower
Uprisings. Revolts. Insurgencies. Rebellions. Civil wars.

What are the differences between all these things?

The gradations can be quite fine, in no small part because they're often as much a question of public relations as one of technical definitions. (Especially in a historical context, before political scientists started making technical definitions.) They're all forms of internecine strife, differentiated by how organized they are, how violent, how acknowledged by the official government, and so forth. And so, rather than trying to separate all the possible strands, I'm just going to talk about them in a lump here.

Genre fiction loves the idea of the Big Rebellion. A plucky band of idealists gather together, maybe fight a few battles, kill or capture the king, and put somebody new in charge: Mission Accomplished! A phrase George W. Bush famously used rather prematurely after the U.S. invasion of Iraq in 2003, and I deploy it here quite with deliberate intent, because of course the situation is unlikely to be that simple. Regime changes rarely go that quickly and smoothly, and even if the guy who used to be in charge dies, is that really the end? His loyalists, instead of laying down arms, are liable to find someone else to rally around: a brother, a son, somebody claiming to be a son, etc. It took about thirty-one years for the fighting to end after the Glorious Revolution of 1688 deposed James II & VII from the thrones of England and Scotland, and Henry VII had to deal with multiple pretenders announcing themselves as various lost royal relatives after the Wars of the Roses.

But it's also somewhat rare for a rebellion to sweep in and put somebody totally new on the throne, at least in the kinds of societies we tend to write about. Changes of dynasty do happen, but where there's a strong expectation of titles being inherited within a bloodline, claimants often grasp for some fig leaf of lineage or marriage to a suitable spouse to cover their naked ambition. Winning legitimacy on charisma alone is not unheard of, but it's much less common. Most civil wars within a kingdom look more like the English Anarchy, with the previous king's daughter fighting his nephew for the crown. (She lost, but her son wound up inheriting anyway after her cousin died.)

There are other reasons for civil strife, though, and they tend to be much less explored in science fiction and fantasy.

In particular, a whole swath of this subject can be placed under the header of "listen to us, damn it!" The famous Magna Carta of England was the product of rebellion by a group of barons against King John -- but they weren't trying to replace him. Instead they wanted him to confirm the Charter of Liberties proclaimed by Henry I about a century before, which protected certain elite rights. (Magna Carta itself is not about the rights of the common man, either, though people in later centuries assumed for a while that it was.) If war is the continuation of policy with other means -- the actual phrasing used by Clausewitz, often somewhat misquoted -- then revolts can be a way of angling for leverage in a political dispute.

This is especially true of peasant revolts. It is extraordinarily rare for the common folk to rise up and effect a regime change all on their own; in fact, it is rare enough that I can't think of any ironclad examples. (If you know of one, I welcome it in the comments!) The American and French Revolutions were heavily led, at least in the first instance, by relatively privileged men; even the Haitian Revolution likely would not have succeeded if the rebels hadn't received support from outside. Peasants, slaves, and other such folk simply do not have the resources or knowledge necessary to stand unsupported against people who hold every advantage against them.

But most peasant revolts aren't aimed at installing a new king or swapping monarchy for some other system of government. They're attempts to redress specific grievances, like unfair taxation or judicial corruption, or to achieve improved rights, such as through the abolition of serfdom (one of the goals of Wat Tyler's Rebellion in 1381). And if we're being honest, goals like that are a lot more important to the average farmer in his field than who exactly is ruling the country! Kings come and go, but taxes remain.

The relative achievability of those goals doesn't mean they get achieved, though. Governments have a loooooong and inglorious history of viewing any such resistance as treason, and they put it down with extreme force. Nor is this solely a thing of the distant past: in more modern times, labor organization has been viewed in a very similar light, as a rebellious disobedience to the law, posing a great enough threat to the stability of the nation that it justifies violent or even lethal response.

Nonviolent resistance isn't unheard of in historical eras, but large-scale acts of it have become more common over the past century or so. I wonder -- this is entirely my own thought, not anything I've read, and it's not a subject I'm deeply familiar with -- if its success relies at least in part on mass communication. While nonviolent groups have existed before, as a tactic in effecting widespread social change it seems to be mostly new, and that makes sense when you think about the role played by optics. As I said above, governments tend to respond with force to those who disobey, and that excites a lot more sympathy and support for peaceful protesters when the news can be widely circulated. (Particularly if the event is captured on video.) Of course, routine interpersonal violence has also declined over time, so most disputes these days are less likely to break out into fights, let alone fatal ones.

Civil strife has absolutely not gone away, though, nor do I think it's likely to do so any time soon. Right now in my own country, we have widespread resistance to the authoritarian government of Donald Trump, ranging from peaceful protests in the streets to acts of low-grade sabotage against the secret police of Immigration and Customs Enforcement (ICE) arresting and deporting anybody who looks too brown. It's not a revolution to throw him out ahead of schedule and replace him with somebody new, and it certainly can't be accomplished with one climactic fight and a quick denouement . . . but perhaps we could use more fictional examples of how this kind of struggle is fought.

Patreon banner saying "This post is brought to you by my imaginative backers at Patreon. To join their ranks, click here!"

(originally posted at Swan Tower: https://is.gd/CYJRUS)
vriddy: K-9 Volume 1 Cover (k-9)
[personal profile] vriddy
First K-9 fic I posted since the tags got wrangled :D Ooooh the delicious luxury of having the ship name auto-complete... 🫦 especially when it's long af XD

I guess I'm celebrating by creating even more character/ship tags haha. Hello hello, Eden cast! Welcome to AO3 ;)


To win your hand | K-9 | Ren/Oboro/Fujimaru/Kagari + one-sided Sasakura/Fujimaru | 2.2k words | rated T

Summary: Jin can sew himself back together, but he can't regrow a missing hand like some kind of lizard. Now, he has a choice: either get used to it, or go search for his missing limb. Easier said than done.

Read it on Dreamwidth or on AO3.

(no subject)

Feb. 27th, 2026 12:09 am
olivermoss: (Default)
[personal profile] olivermoss
Oh fuck no... Quinn Hughes is going to be on SNL this weekend, possibly with Jack.

This weekend is the one with Connor Storrie.

Some context: Some of what happened if Team USA won was honestly expected, but the Hughes brothers and the ongoing mess they've been in was a surprise to a lot of people. This is 100% a PR repair move, not just a celebration of Olympians. How is it obvious? Simple, fucker has a game the next day in a different city. Leagues spent millions to maximize player rest, and he's filming a midnight show the night before a game. That is beyond weird.

Not only that, he's flying back to NYC after the game to tape Fallon and then fly back for another game, and that game is against the Tampa Bay Lighting... possibly the toughest team in the league. That is an insane schedule. This is putting player PR above everything.

Also, the team with the most Team USA men's players? The Minnesota Wild. The home state of some who opted out from the White House BS? Minnesota. The person who let Patel into the Team USA locker room? Wild GM Bill Guerrin. I don't know how upset Minnesotans are, but I hope it's a lot.

But also, fucking hell, don't put Connor in the middle of this. Fucking hell, just don't.

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